The MIDI track hosting our Falcon instance receives audio from Falcon's "Main Out" master stereo output.The easiest way to do this in Ableton Live is to make use of the External Instrument device (only available in the Standard and Suite versions of Live). Should make sure our DAW is ready to receive audio from the plugin's PART 5: PREPARE YOUR DAW FOR MULTIPLE PLUGIN OUTPUTSÄ«efore we start setting up our Falcon kit to use multiple outputs, we I have found that the Save Program and Samples as command, however, does correctly export the samples. Note: On version 1.0.1 of Falcon, Save Program and Samples doesn't appear to actually save the samples (not on my Windows DAW PC anyway). In addition to saving your program as a UVIP file, this command is supposed to create a folder in the same directory containing all samples used in that program. Save your work now by clicking the wrench icon and selecting Save Program and Samples. At this point we have a basic drum kit that sends all audio to the plugin's "Main Out" bus.Notice how all of these samples end with something like "rr1?" Falcon recognizes this as an indication that these are intended for a round-robin keygroup. Make sure that only the Shaker layer is selected, and then SHIFT-select all of the Shaker A3 samples in the file browser.Add a new layer in the List tab and name it Shaker.PART 4: IMPORTING ROUND-ROBIN SHAKER SAMPLES Now when you play the two hi hat samples very quickly, triggering one of them will cut the other one short. (You can change the values by dragging your left mouse up or down on the fields, or by double-clicking them and entering a new value.) This puts the hi hats into the same exclusive group. For each of the keygroups under Hi Hats, set the ex.group, right-click any of the column headers in the Keygroup(s) pane and make sure to check ex. With the Hi Hats layer selected, scroll the Keygroup(s) view all the way over to the right so you can see the ex. In order to make the hi hats behave more like real cymbals, we're going to put them in an "exclusive group," where one hi hat sample cuts the other one short when playing.Your single Hi Hats layer should now have two keygroups, each containing a single sample oscillator. Making sure that only the Hi Hats layer is selected, drag the Closed Hat F#1 and Open Hat A#1 samples to their respective places on the virtual keyboard.In the List tab, click + in the Layer(s) row to add another layer, and rename the new layer to Hi Hats.PART 3: PUTTING HI HATS IN AN EXCLUSIVE GROUP Falcon automatically creates a new, empty program (patch) when you start a new instance. Also make sure all the sections of the Edit tab ( Program, Layer, Keygroup, Oscillator, Mapping, etc.) are visible by enabling their respective icons. You toggle the panels on or off using the Show/Hide Panel buttons at the top of the Falcon window. Make sure your left and right panels are both visible. Open up a new DAW project and create an instance of Falcon.If you prefer written tutorials, read on! I produced a YouTube companion video that covers everything in this written tutorial except for Cubase configuration. (Part 5 of the written tutorial also includes configuration steps for Steinberg Cubase.) I'm using Ableton Live 9 in my examples, but most of what's covered here applies regardless of what DAW you're using. As an added bonus, I'll show you how to create or modify your own kits using samples from UVI's Beat Box Anthology. We'll start off by building the kit's layers and importing samples, and then complete the kit by setting up the multi-channel audio routing in a DAW. To help you get up to speed quickly I've put together a free mini sample pack for this tutorial, which you can download from the Ultimate Outsider Software page. And finally, we'll see how to apply some of this knowledge to modifying kits in UVI's excellent Beat Box Anthology collection of classic drum machine samples.Using the round robin trigger mode to add variety to individual percussion sounds.Using Falcon's "custom drop" feature to import multiple samples into a single keygroup.Setting up an exclusive group (or "choke group") to simulate real hi-hat behavior.Using layers in Falcon to send different drum sounds to separate audio output channels that you can mix and process individually in your DAW.This tutorial walks you through the following aspects of building your own sample-based drum kit in Falcon:
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